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Cannon c 700 commercial full color machine
Cannon c 700 commercial full color machine












cannon c 700 commercial full color machine
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This professional-grade camera also borrows a variety of features from other Canon cine and photo cameras, like Dual Pixel CMOS AF, which uses EOS iTR AF X deep learning technology for intelligent, accurate, and fast autofocus performance, along with Touch AF control for making manual focus selections from a remote monitor.

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Once attached to the camera body, this unit provides V-mount battery mount for power a 4-pin XLR input for continuous DC power supports return video switching via an assignable button or zoom controller (like the ZSD-300D) adds an RJ-45 jack to support Ethernet and XC protocol input adds 12V output via a 4-pin Hirose interface and includes a 12-pin interface for lens power.Īnother release intended for the broadcast, live event, and TV studio market, the CR-N700 is a PTZ camera offering 4K60 10-bit 4:2:2 HDR recording from a 1" CMOS sensor. Additionally, the servo drive unit can be removed in order to use this 15-120mm lens as a traditional cine lens, and it supports standard 114mm matte boxes and 0.8 and 0.5-pitch follow focus gear fittings.Īs a related release, Canon is also introducing the EU-V3 Expansion Unit, which is compatible with the C300 Mark II and C500 Mark II cameras and helps ease their integration into live production and studio recording environments. Both lenses have two 20-pin connectors for remote zoom and focus control and the PL-mount version has a third 20-pin connector on the drive unit for 16-bit encoded data transmission for use in virtual studios and for VR applications. In terms of connectivity, the EF mount of this lens supports full lens communication and metadata recording the PL mount lens, alternatively, supports Cooke /I Technology and ZEISS eXtended Data communication methods.

#Cannon c 700 commercial full color machine skin

Additionally, the lens is designed to offer a consistently warm color balance, to match other CINE-SERVO lenses and produce pleasing skin tones, and it features an 11-blade iris for a natural bokeh quality.

cannon c 700 commercial full color machine

As the widest CINE-SERVO lens, it's ideal for recording live events from ground level and a built-in 1.5x Extender offers a bit more reach (22.5-180mm), particularly when using full-frame sensors. This high-performing wide-to-tele zoom features an optimized optical design that limits aberrations and flaring, making it suitable for 8K productions as well as HDR recording, and it offers coverage for both Super 35 and full-frame formats. Moving over to the interchangeable lens portion of the broadcast and cine world, Canon has announced the impressive CINE-SERVO 15-120mm T2.95-3.95 lens, available in both EF and PL mount designs.

cannon c 700 commercial full color machine

Besides the updates to usability and design, the HF G70 keeps essentially all of the recording tech from the HF G50, including the 1/2.3" CMOS sensor, UHD 4K recording, and a built-in 20x zoom lens with image stabilization.

#Cannon c 700 commercial full color machine professional

The other camcorder launch from Canon is the more compact VIXIA HF G70, which succeeds the HF G50 and adds similar updates to what was announced with the professional XA series cameras-this new model incorporates the larger, higher resolution 3.5" 2.76m-dot touchscreen LCD and 0.36" 1.77m-dot OLED EVF, offers OSD recording, and trades in the Mini Advanced shoe for a USB Type-C port for a single, streamlined power and connectivity port. The other key addition to these new cameras is On-Screen Display (OSD) "Time Stamp" Recording, along with the inclusion of USB Type-C ports, and the XA65 also gains an SDI terminal for professional use. The cameras retain the 20x optical zoom lens, built-in image stabilization, and variety of recording modes, but gain the same 3.5" 2.76m-dot LCD and 0.36" 1.77m-dot OLED EVF as the XA75 and XA70. The XA65 and XA60 are the smaller models of the series, featuring 1/2.3" CMOS sensors, along with a similar series of upgrades compared to the XA45 and XA40. Other key updates for these cameras include a refresh for various terminals, including a USB Type-C port, and the XA75 gains professional-grade 3G-SDI and XLR terminals for higher-end workflows. The EVF has been updated, too, to a larger 0.36" OLED panel with 1.77m-dot resolution for clearer monitoring. Where these two new cameras distinguish themselves is the inclusion of a larger 3.5" touchscreen LCD monitor, with 2.76m-dot resolution, which greatly outperforms the 3.0" 460k-dot screen from the previous generation. Like their predecessors, the XA75 and XA70 feature 1" CMOS sensors, support Dual Pixel CMOS AF, have a built-in 15x optical zoom lens with built-in ND filter and image stabilization.














Cannon c 700 commercial full color machine